HOW I USE AI IN MY CONTEMPORARY FINE ART & VISUAL DESIGN PRODUCTION AND PROCESS

Kaeli VanFossen is a San Diego-based contemporary fine artist and visual designer with 30+ years of experience. This page breaks down how she integrates AI across both sides of her practice — fine art and visual graphic, web, and brand design. AI serves as a conceptual and supporting tool: exploring composition, color, and subject studies for paintings; moodboarding and iterating visuals for design clients; and refining her own writing and ideas. Every output is hand-refined and finished by Kaeli — in Photoshop, on canvas, or in client deliverables. The AI never produces the final work; it's a thinking and sketching tool, often trained on her own existing body of art.

- BY KAELI VANFOSSEN.

"In both my fine art and design work, AI is a pre-production sketching and thinking stage, never a replacement. It enhances the efficiency of my process from idea to revisions — and then the project moves to my desk, or easel, where my own skills and experience finish the artwork and design in my own original vision and refined taste."

concept

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iteration

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refinement

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writing

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research

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production

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concept · iteration · refinement · writing · research · production ·

THE PROCESS:

My vision and experience leads. The tools follow.

Every project starts the same way: an idea sparked by something I felt, saw, or was asked to solve. By the time I open any tool, I have already determined from my refined taste and experience what direction I'm heading. AI is only one of many instruments in a larger toolkit that includes Adobe applications like Photoshop, a Wacom tablet, pencil and paper, paint on canvas, a camera, and 30+ years of acquired knowledge and instinct for what works. What stays constant across every piece, whether it's a museum-grade signature painting or a client's complete visual brand identity, is that my own creative direction, curatorial taste, and physical hand and mind, guide the work from start to finish.

A step by step example:

  1. Hand sketch the concept

  2. photograph the sketch and import to LR or PS

  3. Image rotation, Topaz AI denoise, apply curves, etc

  4. quick export then upload GPT

  5. prompt creative brief…

THE PROMPT:

I have attached 3 references for this project. 1. kaelisketch.png is my own hand illustrations 2. and 3. are visual references to the "sticker" style I would like you to convert my doodle sketch illustrations into. One of the references has words in the stickers, ignore that, do not put any words in my doodle illustration stickers. Background should be a warm brown cafe texture of some kind, wood, or coffee, etc. similar to the references. Sticker color scheme should be similar to the references, complimentary and contrasting rich vibrant colors like a butter yellowish light lime green, a deep warm red brown that is dark, a light to medium blue that has a lavender purple tint, a deep reddish magenta, a light to medium pink that is cool tone. Add a subtle drop shadow between the warm brown background image and the sticker to give it some visual depth. Space the stickers out evenly but not aligned uniformly in rows or columns but instead a little oddly placed and each sticker has a slight tilt variation similar to the reference of the cat stickers. Make sure each individual doodle from 1. is it's own sticker. randomize the sticker background colors from this description and make sure each of my doodles is the opposite complimentary contrast color of the background. 4k clarity quality, Resolution size 1920px by 1080px landscape orientation.

BEFORE:

AFTER:

OF NOTE:

After saving multiple good outputs for concept variation and to test aesthetics, I curate the one(s) most visually aligned with the art/design direction before moving forward to pitch and approval of concept. After approvals, the concept goes directly into production for quality assurance and proper formatting for final deliverable.

How AI fits into my toolkit

I use AI the way a chef uses equipment in a kitchen: different tools for different tasks, none of them replacing the palate. Here's where AI enters my workflow and what it does there.

01

Ideation & Concept Exploration

Where most of my AI use lives. I feed the model my own existing artworks, design mockups or references, and written descriptions to exercise ideas visually, testing composition, color, subject arrangement, and mood before committing to a refined direction. I typically generate 10+ art-directed variations that align most with the vision, perhaps out of and up to hundreds of iterations, before selecting what to develop further. Sometimes the project calls for a reference I haven't already made, and when that happens, I'll create one myself first: sketching it on paper, painting a quick example, or photographing something similar. These original references then become part of what I feed the AI, so even the inputs are predominantly my own work. By the time I sit down with AI, I already have the vision and direction formed in its own ideation landscape, often sketched out on paper or written in notes; and in today's creative landscape, AI is an effective and efficient tool to pressure-test and refine what I see in my mind.

AI applications I use

Midjourney · Krea 2 · Recraft · Leonardo · Higgsfield · Flux · Seedream · Stability AI · ChatGPT · Nano Banana Pro / Google Imagen · Grok

02

Refinement & Enhancement

Upscaling, generative fill, and detail work within pieces already in progress. These tools also handle my technical polish, not creative decisions.

AI applications I use

Magnific / Freepik · Adobe Generative Fill · Nano Banana Pro / Google Imagen

03

Writing & Thinking

Refining my own writing for grammar, punctuation, sentence structure, and concision. I also use AI as a thinking partner for business strategy, project planning, and working through complex ideas. The words and ideas are mine; AI helps me sharpen how I communicate them.

AI applications I use

Claude (my new favorite) · ChatGPT

04

Research & Information

Quick answers, current information, and topic-specific lookups, especially when a search is really just a question I need answered with a link and/or references, and bullet points to go deeper.

AI applications I use

Google Gemini · Grok · Claude · ChatGPT

05

Design Assets & Production

Mock-ups, stock imagery for presentations, SVGs, templates, and responsive code for web projects. AI is increasingly capable here, and I'm actively exploring which tools produce assets that meet my standard for quality and correct production.

AI applications I use

Canva / Magic Studio · Figma (learning) · Framer (learning) · Claude (very quickly becoming my go-to) · Lovable (recently discovered)

06

Motion & Video

Occasional exploration of animation and video tools for creative projects. I don't use these frequently, but their capabilities are growing fast and I stay current with what's possible.

AI applications I use

Kling · Runway · Pika · Google Veo · Hailuo · HeyGen · Seedance · Wan · Canva / Leonardo / Magic Studio

07

Custom AI Training

Training models on my own signature characters, styles, and visual elements so the AI is referencing my existing body of work, not anyone else's. This is the most distinctive part of my AI practice: the style references are self-referential.

AI applications I use

ComfyUI · Krea 2 · Midjourney · ElevenLabs

A Lexicon of My Signature Style

Prompt vocabulary · AI as creative medium

This is the organized vocabulary I use when prompting AI image models to draft conceptual studies for paintings I later refine in Photoshop and finish by hand on canvas. Each slide groups the recurring phrases by their function in a prompt — from medium, to composition, to mood — with the top variations of phrases I return to most. It's both a working tool and a map of my visual language.

01 — Foundation

Medium & Opener

  • oil painting with flowing gestural brushstrokes in a natural hand-painted quality
    • of a contemporary art aesthetic with abstract overlay segmentation
    • in a painted quality of a contemporary art aesthetic
    • contemporary oil painting
  • semi-realism oil painting close-up zoom in view of a dark rich moody still life
    • semi-realism oil painting close-up view of … in an art room
    • semi-realism oil painting of a dark rich moody view from above …
    • semi-realism minimalism oil painting of a dark rich moody view of …
  • realism minimalism oil painting of a phase within a continuum
    • realism minimalism oil painting of I am not a fixed self but a phase within a continuum
  • semi-realism minimalism oil painting dark lush exotic still life and obscured figure captured with a slow shutter for dynamic motion blur
  • abstract painting and botanical color blocking over a photo by Steven Meisel

02 — Foundation

Subject & Backdrop

  • with a backdrop of abstract shapes intertwined with the flora
    • with a backdrop of abstract shapes intertwined with the subjects
  • tropical plants and palm fronds in a room
    • tropical plants and palm fronds (in an art room / dappled in sunlight)
    • tropical plants in a room
  • botanical, modern still life scene, and geometric bauhaus
  • biophilic architecture oil painting in California editorial style with minimalism
  • zoom in realistic subject in the style of contemporary fine art painted figure and abstract shapes

03 — Framing

Zoom & Composition

  • zoom in realistic palm fronds and abstract shapes
    • zoom in underwater and abstract shapes
    • zoom in realistic details and abstract painterly shapes
  • centered in a square frame
  • view from far, full body
  • distant front view of young male magazine model

04 — Palette

Color Palette

  • muted and vibrant complementary and contrasting hues
    • the color palette a range of muted and vibrant complementary and contrasting hues
    • the color palette a range of muted and vibrant dark complementary and contrasting hues
  • muted and vibrant dark complementary and contrasting colorful jewel tone hues
    • the color palette muted and vibrant dark complementary and contrasting colorful jewel tone hues
    • muted and vibrant complementary and bold contrasting hues
  • the color palette a range of muted earthy dark browns and vibrant complementary and contrasting hues
    • dark browns and green
    • deep teal and charcoal background
    • sun-kissed palette

05 — Structure

Compositional Balance

  • colors balance across the composition's visual weight
    • color composition is balanced by visual weight
  • creating a dynamic but harmonious visual experience
    • a dynamic but harmonious visual

06 — Approach

Realism & Abstraction Blend

  • each a unique blend of realism and stylized abstraction
    • a unique blend of realism and stylized abstraction
    • blend of realism and stylized abstraction

07 — Structure

Segmentation

  • segmented in vertical panels
    • segmented in overlapping overlays and oddities
    • segmented in overlapping overlays
  • the segmentation is distinct scenes that are cohesive together
  • oil painting dynamic brushstrokes zoom palm fronds and abstract shapes segmented in vertical panels
    • …segmented in overlapping overlays and oddities
    • oil painting dynamic brushstrokes segmented in overlapping overlays
  • oil painting dynamic brushstrokes zoom botanical and abstract shapes segmented in overlapping overlays and oddities
  • contemporary abstraction expressionism with minimalist segmentation
  • geometric abstraction
    • abstract lines

08 — Atmosphere

Mood & Still-Life Style

  • dark evening moody realistic exotic still life style details
  • contemporary art subject realistic aesthetic
    • realistic aesthetic
  • cozy exotic jungle white lotus hotel aesthetic
    • cozy exotic jungle white lotus hotel jewel tones eclectic aesthetic in cinematic sunlight
    • cozy exotic jungle jewel tones eclectic aesthetic in cinematic sunlight / white lotus resort aesthetic
  • ethereal atmosphere
    • harmony
    • California summer

09 — Atmosphere

Lighting

  • dappled sunlight
    • dramatic dappled sunlight
    • dramatic chiaroscuro
  • soft internal radiance / glowing edges
  • and contrasting shadows
  • photo realistic soft-lit airbrushed skin

10 — Technique

Camera & Optical Effects

  • captured with a slow shutter
    • dynamic motion blur
    • hard flash
  • shallow depth of field
    • macro
    • retro
  • caustic fractured spectral glass distortion, optical mirage, and chromatic aberration
  • heavy impasto texture

11 — Closing

Finishing Tag

  • minimalism

12 — Conceptual Series

Aeonic Fractalis — Title-Piece Phrases

  • a phase within a continuum
  • perpetually accompanied by echoes that drift forward and backward through time
  • temporal shadows of my own existence in motion
  • these layered selves, past, present, and future
  • gesture as a perception that is unspoken but lived internally — the awareness of existence as recursive, fractal, and aeonic
  • Aeonic Fractalis Synesthete perceives eternity through fractal awareness; Sensus Fractalis Aevum names the faculty of that perception
  • the capacity to recognize repeating patterns across scales of being within the span of everlasting time
  • gives form to experience of time folding in on itself
  • these moments extending outward and contracting inward at once
  • mirrored ahead and behind like phases of the same wave
  • the sensation of standing inside a pattern where beginnings and endings dissolve
  • where existence is perceived as simultaneous, self-similar, and infinite
  • a universal condition — an observation of how the fabric of reality bends and recombines across dimensions
  • where the personal act of perception becomes inseparable from the larger structures it reflects

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My Stance

I love AI — and I think about what it costs.

I’ve chased the bleeding edge of technology my whole career, with creativity as the reason why. My position on AI isn’t a single feeling — it’s the place where several honest ones overlap.

You don’t have to pick a side. You can love what AI makes possible and still insist the infrastructure behind it becomes safer, fairer, and more accountable to the people living beside it. That’s not a contradiction — that’s paying attention.

Not every piece is the same, and that's intentional.

My work lives on a spectrum of what and why. Some pieces are high-end signature paintings where AI was one early spark among many references, and the finished canvas has diverged significantly through hand-refinement in Photoshop and hand-painting on the easel. Others are concept explorations and experiments: AI-assisted works I share with my audience as part of the creative journey, priced accessibly and valued for what they are. Sketches, ideas in motion, directions I'm testing.

I don't hide where a piece sits on this spectrum. The craft, the cost, and the context reflect it. What stays true across all of it is that every piece, from experiment to exhibition, was conceived, directed, curated, and finished by my own eyes, mind, and hands.

Concept & Experiment

AI-assisted explorations, shared as affordable works. Output is close to the concept stage.

Signature Collection

Fully hand-refined and hand-painted. AI was one early reference. The finished work is distinctly my own.

I hope you enjoyed this comprehensive peek into how I incorporate AI into my everyday creative process for both art & visual design. it doesn’t replace my creativity at all, it amplifies it.